DEATH COMES FOR THE WAR POETS

BUSINESS PLAN

“All men dream, but not equally. Those who dream by night in the dusty recesses of their minds, wake in the day to find that it was vanity: but the dreamers of the day are dangerous men, for they may act on their dreams with open eyes, to make them possible.”

—T. E. Lawrence

précis

Better to Risk Boldness than Triviality

After what has been a five-year, three-phase foundation build, Team Manalive is now fully ready, primed to realize our inaugural production — a penetrating story of retrospective realization and moral consequence to awaken and re-enchant the weariest of souls, made incarnate as a Live Cinema innovation, the first and strategic prototype in a 10-project development slate.

Being a dramatic portrayal of the production of a play anchored in the poetry of the Great War (the blow that hurled the modern world on its course of self-destruction), our story will be a movie happening in real time, the success of which will establish Manalive Media Group within a sizable worldwide blue ocean niche, whereby uniquely profitable opportunities for creative and commercial excellence in the ever-changing Media & Entertainment industry will abound over the coming years, particularly as an anthropological reckoning is now well overdue.

The following details Team Manalive’s strategic framework and practical plan to produce Death Comes for the War Poets as a genuine work of art, whose aesthetic, dramatic, and logical facets will be purified by revelation, further ensuring a masterpiece in service of truth. 

(1) Innovation

These confidential sections of our plan are available via the investor prospectus here.

(2) Production

These confidential sections of our plan are available via the investor prospectus here.

(3) Financial

These confidential sections of our plan are available via the investor prospectus here.

(4) Marketing

These confidential sections of our plan are available via the investor prospectus here.

“The thing that survives is that which has a certain combination of normality with distinction. It has simplicity with a slight touch of strangeness. It is a tale just sufficiently unusual to be worth telling, and yet immediately intelligible when told.”

—G.K. Chesterton

“But imagination has its highest use in retrospective realization. The trumpet of imagination, like the trumpet of the Resurrection, calls the dead out of their graves. Imagination sees Delphi with the eyes of a Greek, Jerusalem with the eyes of a Crusader, Paris with the eyes of a Jacobin, and Arcadia with the eyes of a Euphuist. The prime function of imagination is to see our whole orderly system of life as a pile of stratified revolutions. In spite of all revolutionaries it must be said that the function of imagination is not to make strange things settled, so much as to make settled things strange; not so much to make wonders facts as to make facts wonders.” 

—G.K. Chesterton, What’s Wrong With The World (1910)

The information contained within this prospectus does not constitute an offering of securities, which will be made only through the offering documents, which should be read carefully before deciding to invest. For confidential consideration to participate, please review the information in the Accredited Investor and Investor Portal pages, accessed via the primary navigation.